The Indian Market in Fashion and Luxury

Thomas Brownlees

Thomas Brownlees

CEO and Founder,
440 Industries

Introduction

Emerging markets are the future, there is no doubt about it. Some countries however, such as India and China offer unique challenges due to their unique culture and history.

Let’s try to focus our perspective on the Indian subcontinent to understand how luxury brands are approaching the entry into this new territory.

Here’s a list of this post topics:

  1. Quick facts about India
  2. Luxury and consumer behaviour in India
  3. Glocal India
  4. Distribution and communication in India
  5. Conclusions

1. Quick facts about India

The first challenge as international marketers consists of developing an informed perception of India by looking at some key facts.

Here’s a short list of data that can assist us in understanding this market:

  • India is a country made up of over 1 billion people spread across 28 states.
  • There are over 17 languages and 22.000 dialects.
  • Its geographical landscape ranges from the snow-peaked Himalaya to the desert of Rajasthan.
  • There are three seasons: Spring, Summer and Monsoon season.

2. Luxury and consumer behaviour in India

As discussed in “The Cult of the Luxury Brand: Inside Asia’s Love Affair with Luxury”, developing economies have undergone a series of stages in their adoption of luxury products. This model is called ‘the 5-stage spread of luxury model’ and argues that countries, depending on their degree of development approach a series of stages in luxury product adoption which can be described as:

  • Stage 1. Subjugation
  • Stage 2. Start of Money
  • Stage 3. Show Off
  • Stage 4. Fit In
  • Stage 5. Way of Life

While Japan can be considered an Asian market well into stage 5, other countries differ: China is in stage 3 and India is at the start of stage 2, slowly changing its consumer mindset from self-denial to self-indulgence.

This transition is made more complex by the fact that the Indian market is still partly closed to foreign companies, due to trade restrictions (such as tariffs) and strict regulations on FDI (foreign direct investment). The latter restrictions – especially in the context of retail – are especially relevant as brands need to establish a vertically integrated retail presence to provide a consistent brand experience globally.

Other factors which have impacted a slower pace of entry into the Indian market relate to the presence of big industrial families that have established more competitive entry threshold to foreign firms, because of their profound market knowledge and strong reputation.

Finally, the Indian consumer is no ordinary consumer. For as much as a luxury fashion brand can be considered ‘global’ India requires companies to develop an adaptive approach to the market. Within India, there are many diverse cultural identities, some more traditional, other more prone to change. Both typologies, however, share history and heritage which brands need to take into account in order to provide product categories that match the behaviour of Indian consumers.

At the same time, as the country moves at a faster pace towards new modern standards of living, the very concept of the Made in India could lose its connotation of low quality and low cost. There is no real reason why Made in India couldn’t be celebrated for being a fashion manufacturer capable of working with prestigious maisons, such as Versace and Cerruti among many others.

3. Glocal India

India is the metaphor of a country which marries its rich diversity and localised culture, to a strong national sense of uniqueness. This allows India to be at the same time an example of a local and global country, or glocal in short.

This cultural environment is a challenge for most brands as they are required to project a strong global personality, capable of echoing the many identities the country represents. This provides a unique product standardisation\globalisation challenge. If on the one end, some western values cannot be forgotten – even simply in the design of seasonal collections, trend responsiveness and minimalist style – unique aesthetic elements such as the use of colour, embroidery and accessories cannot be ignored. These elements may clash and overlap in surprising ways, by conjugating rich textiles and fabrics with western-style elegance.

4. Distribution and communication in India

Aside from these issues regarding the product decisions that need to make to enter this market, another important set of decisions related to distribution. As the Indian market is still in the process of taking shape, first entry movers may both experience an advantage and a disadvantage. If the advantage consists in earning more loyalty from the customers – in relation to a minor degree of competition – the disadvantage pertains to operating in an unidentified market, where companies risk educating the public towards products that will be later offered by the competition.

On a more practical level, India does not follow western consumer habits and does not have luxury shopping malls.

As a result, the primary effort pursued by luxury companies in India relates to a create a form of communication that pushes the public to change its perception of what luxury is, in order to perceive it as something exclusive, yet inclusive. This is where fashion media and glossy magazines play a role, as they strive to plant the seed of a perception of luxury intended as something more profound and rich, than simple superficial appearance.

5. Conclusions

The unique challenges presented by the Indian market, making it a territory for business confrontation in terms of cultural awareness and product adaptation. The decision to enter this market for foreign luxury firms may be inspired by a long-term strategy which will ripe benefits in a decade.

At the same time, the huge cultural changes that are taking place in Indian society will be likely to speed up the market evolution and make India the new China in little more than 5 years.

Sources and Further Research

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The Indian Market in Fashion and Luxury The Country of Origin Effect relates to the values that consumers associate to a country's reputation for excellence. Let's see in detail what this entails.
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Thomas Brownlees

Thomas Brownlees

I am an Anglo-Italian business lecturer and consultant based in Florence, Italy. In 2017 I started 440 Industries, an education and training company focused on fashion, music, and technology. Our mission is to help students, entrepreneurs and managers in overcoming the challenges of starting, developing and scaling their business in the creative industries. When there's a will, there's a way!

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